Rinjiyeynta saliiddu waxay asal ahaan ka soo jeedaan Yurubta hore waxayna la kulmeen dhowr xilli oo shaqo rinjiyeyneed casri ah, casri ah iyo mid casri ah xilli kasta waxay leeyihiin astaamo u gaar ah.Farshaxanadu waxay abuureen farsamooyinka rinjiyeynta saliidda ee kala duwan ee ficil ahaan, si qalabka rinjiyeynta saliidda ay si buuxda u ciyaaraan saameynta waxqabadka.Aan tagno si aan u aragno waxa ay yihiin farsamooyinka rinjiyeynta saliidda!
Farsamooyinka rinjiyeynta saliidda kow: rinjiyeyn hufan
Rinjiyeynta hufan waa farsamada rinjiyeynta ugu da'da weyn.Inta badan waxay isticmaashaa maaskaro midabaynta si ay laba midab u soo saaraan midab saddexaad iyada oo loo marayo wada noolaanshaha muuqaalka.Rinjiyeynta hufan waxa loo qaybin karaa laba nooc:
Mid ka mid ah waa dib u soo bandhigida midabka hufan, taas oo ah, sharraxaad heerar badan leh oo leh midabyo la qasi karo, oo samee midabka lakabka hoose iyada oo loo marayo lakabka sare si aan caddayn iyo lakabka sare si uu u sameeyo isbeddello aan qarsoodi ahayn ee codka.Inkasta oo ay leedahay midab la mid ah midabka saddexaad ee ka soo jeeda is-waafajinta jireed, saameynta muuqaalku way ka duwan tahay, kii hore waa qoto dheer oo wuxuu leeyahay dhalaal sida dahabka.
Midka labaad, midabka hoose ee khafiifka ah ee khafiifka ah, habka rinjiyeynta ayaa ah in habka rinjiyeynta leh midab madow madow ama qalin qalin rinji rinjiyeyn saliid cad oo adag, ilaa sawirka uu qallalo ka dib markii uu daboolo midab hufan, si loo hagaajiyo daahfurnaanta oo dhan. sawir.
Farsamooyinka rinjiyeynta saliidda laba: rinjiyeynta heerka
Waxa loogu yeero sawirka heerka waa midabaynta heerar badan oo shaqo ah, rinjiga leh monochromatic marka hore sawir jirka oo dhan, ka dibna isticmaal heerka midabka, qaybaha mugdiga ah waxay u baahan yihiin in la rinjiyeeyo khafiif ah, codka dhexe iyo iftiinka wuxuu u baahan yahay rinjiyeyn dhumuc weyn, si loo sameeyo isbarbardhigga Inta u dhaxaysa gabal midabka, sawirka oo dhan wuxuu noqon lahaa dheeraad ah sababtoo ah dhumucdiisuna waxay daahan heerar kala duwan, muujinaysaa midabka uu leeyahay hodantinimo fikradda iyo texture maqaarka, Sii qofka dareen gaar ah oo kala sareyn.
Farsamooyinka rinjiyeynta saliidda saddex: rinjiyeynta tooska ah
Sawirka tooska ah waxa kale oo loo yaqaan habka wasakhaynta tooska ah oo macnaheedu yahay shiraaca si loo sameeyo dulucda shayga ka dib, iyadoo dareenka ku saabsan midabka shayga ama midabka sawirka fikradda midabka la dhigay hal mar, ka dib marka shaqada la dhammeeyo haddii Waxaa jira wax khalad ah ama cillad ah oo isticmaali kara mindida rinjiyeynta si ay u sii wadaan hagaajinta midabka, rinjiyeynta tooska ah ayaa ah farsamooyinka ugu badan ee la isticmaalo rinjiyeynta hadda, Habka rinjiyeynta, midabada la isticmaalo ayaa ah kuwo qaro weyn, midabka midabka sidoo kale waa mid aad u sarreeya, iyo burushka burushka way cad yihiin, si ay dadku si fudud ula falgalaan nuxurka sawirka.
Farsamooyinka rinjiyeynta saliidda afar: rinjiyeynta casriga ah
Rinjiyeyaashu ka hor qarnigii 19aad waxay inta badan isticmaali jireen labadan hab ee rinjiyeynta.Wax soo saarka shaqada wakhtiga ayaa guud ahaan dheer, rinjiyeynta qaar ka dib lakabka meelaynta muddada dheer, ilaa lakabka midabka si buuxda u qallajiso ka dib marka la sawiro.Farsamada rinjiyeynta saliidda ee muddadan aad ayey uga duwan tahay "rinjiyeynta tooska ah" ee aan maanta isticmaalnay.Waa farsamo isku dhafan oo la isticmaalayo tampera ama midabyo kale si loo dhammeeyo qaabaynta monochrome ee shayga ka dibna la isticmaalo midabyo saliid ku salaysan si loo midabeeyo daboolka hufan ee lakabka badan, oo sidoo kale loo yaqaan "rinjiyeynta aan tooska ahayn" ee rinjiyeynta saliidda.
Waqtiga post: Seb-16-2021